Archive for November, 2008

Take The Scarface Survey

Tuesday, November 25th, 2008

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Click To Take A Survey For Scarface!

Mike Jones Interviews With StreetCred.com

Tuesday, November 25th, 2008

Remember Me?: Mike Jones

What happened to Mike Jones? Who?…you know the rest. Mike Jones sits down with StreetCred.com to talk about label drama, Trae, “The Voice”, his new phone number, industry politics and more.

Jones on whether or not we’ll see a “Still Tippin’” part 2:

“It’s not like they want us to make another song and it’s going to be a banger like Tippin’, they are going to be like nah we want to use this for our album too. And then that’s when the politics come in. So when people come ask us will there ever be another song like that again the answer is “no”. Not because it’s beef but because the politics won’t let it happen.”

St. James: What’s up Mike Jones? How you feelin’?

Mike Jones: I’m working hard fam…working on the second album, I haven’t came out since “Who Is Mike Jones?”. This second album is called “The Voice” and I’m going to make sure the whole world can hear my voice.

To read more go to: http://streetcred.com/?page=features/entry&id=991

StreetCred.com reviews Emeritus

Sunday, November 23rd, 2008

Scarface is one of the best to ever do it. When the names Biggie, 2Pac and Jay-Z are mentioned, Scarface is usually included.

And while the astronomical fame and sales of his peers has eluded him, ‘Face is one of the most respected Hip-Hop lyricists ever and transcends geographical locations managing to speak to the Hip-Hop culture as a whole.

He has consistently painted vivid pictures through his lyrics over the years, balancing the concept of a tortured soul behind the mic with someone who is happy in their own skin.

“Emeritus” is said to be Scarface’s last solo album.

“INTRO”

The album’s intro begins with a speech by J Prince speaking on the haters in the game attempting to bring him down. The intro effectively sets a dark, somber tone for the album.

“HIGH POWERED” FEAT. PAPA RUE

The stuttery “High Powered” mixes Papa Rue’s Reggae tinged vocals with ‘Face’s street lyrics such as “and what the f*ck am I gonna talk to the police about?/I’m from the streets doin’ the type of sh*t you read about.” The song’s production from N.O. Joe is effective complete with background screams giving the song a hard canvas for ‘Face to work with.

“FORGOT ABOUT ME” FEAT. LIL’ WAYNE & BUN B

Cool & Dre lend Scarface and guests an excellent beat on this one. The song samples Billy Paul’s “I’m Just A Prisoner” giving this one a soul drenching feel. The guest spots add a special touch the song. Lil’ Wayne manages to leave the Auto-Tune alone and deliver a dope verse complete with him announcing his new name as “featuring Lil’ Wayne.” Bun B tells listeners that’s he’s got it “crunk like Obama at Invesco.” The trio of ‘Face, Wayne and Bun make this one of the album’s standout cuts.

“CAN’T GET IT RIGHT” FEAT. BILAL

When Scarface calls, people answer…even ones that are usually MIA. Somehow the former Geto Boys managed to find soulster Bilal to deliver a hook on “Can’t Get It Right.” The song centers around ‘Face speaking on the troubles of the world. He touches on the war in Iraq, hopelessness in the ghetto and the drug companies cashing in on people’s misfortunes. Few MC’s can get this serious and still make a dope song but Scarface manages to do it time and time again.

“IT’S NOT A GAME”

Money Management producer Illmind lends ‘Face a dark, piano key charged backdrop as the Rap-A-Lot originator speaks on the codes of the streets. It’s a dope, pure Hip-Hop cut aside from the song’s awful, poorly sung hook.

“WHO ARE THEY” FEAT. K-RINO & SLIM THUG

A Dr. Dre, “2001″ era sounding beat bounces along as K-Rino, Slim and ‘Face speak on shady females. Not surprisingly ‘Face shines above the rest but kudos should also go to Slim Thug for sounding rejuvenated on this one and K-Rino for showcasing some true mic skills spittin lines like “me and ‘Face second to none/makin’ records for fun/you 37 at the strip club gettin’ naked for ones.” One of the album’s better cuts.

“SOLDIER STORY” THE PRODUCT FEAT. Z-RO

In an odd break-up of flow, ‘Face steps aside and lets his proteges The Produce rock their own track feat. Z-Ro. The song is cool but pales in comparison to the quality material found throughout the album. It breaks up the flow of “Emeritus” and would have been better served as a hidden bonus track rather than smack dab in the middle of the album.

“REDEMPTION SONG”

“Redemption Song” is ‘Face’s shining lyrical moment on the album as he begs for death wanting to see the afterlife. “Not afraid to die/not afraid to kill…” ‘Face spits painting pictures with his words like only he can. N.O. Joe once again comes through on the beat making for a standout cut.

“HIGH NOTE”

Acclaimed producer Jake One finds his way onto what may be the last solo album ever from Scarface. Jake’s soul glowing backdrop sounds like something Ghostface Killah could have rocked over. ‘Face rides the beat with a somewhat odd flow that switches between his regular voice and a less polished sound. The song’s hook fails to develop into anything special and ‘Face’s usually on point lyrical content falters a bit. “High Note” is one of the album’s few weak moments.

“WE NEED YOU” FEAT. WACKO OF UTP

The head nod factor on “We Need You” is high as UTP’s Wacko swings by. The lyrics and beat are on point but the tired hook of “you said you aint no b*tch n*gga I don’t believe you…” offers nothing to the cinematic feel of “Emeritus” and makes it a forgettable moment.

“UNEXPECTED” FEAT. WACKO OF UTP

The masterfully produced “Unexpected” sees Young Cee & Sha Money XL sitting behind the boards. The flute inflicted beat provides Scarface a canvas to reflect on his life and decisions he made. It’s ‘Face at his best with those introspective lyrics in full swing. As with “We Need You”, Wacko handles the song’s hook with uninspiring, sub-par results. This song, like “We Need You”, didn’t even really need a hook as the lyrics and production were enough to push it over the top.

“EMERITUS”

The always creative Scram Jones gives Scarface an interesting beat for the album’s title track. The track, while hitting, sounds almost unfinished. This was obviously the point but it makes for somewhat of an awkward listen and distracts from ‘Face’s lyrics. The song is far from disappointing though as Scarface shreds through the song calling himself “the mayor” and proving why he’s one of the best to ever do it.

“OUTRO”

The album’s outro is purely instrumental and very much is the sound of the end.

If “Emeritus” is the last solo album from Scarface, it’s a solid exit from the game that probably should have appreciated one of its finest lyricists a little more.

DJBooth.net reviews Love’s Crazy

Sunday, November 23rd, 2008

Regular readers of this column know that Nathan S. loves the ladies, so much so that he sometimes refers to himself in the third person. But if I have world-class game – and I do – I owe it to 112. In my early days the smooth-singing quartet was responsible for an admittedly high number of my hook ups. It was Peaches ‘N Cream that brought the honeys out on the dance floor, Cupid that got her close, and Anywhere that sealed the deal back at the crib. More than Blackstreet, more even than Jagged Edge, it was 112 that made me the man I am today. And for that I owe Darron, Mike, Q and Slim a debt of gratitude that can never be repaid.

Sadly 112’s days as an R&B powerhouse have come to an end, as all good things must. But in some small way the dream lives on. Slim, the group’s charismatic leader with the Michael Jackson-esque voice, is keeping the legacy alive by signing his own label deal and releasing his debut solo album Love’s Crazy. Love’s Crazy is not only one of the most accurate album titles of the year (the only thing better would have been Women Are Crazy), it’s a collection of radio ready singles and bedroom burning jams that proves that while Slim’s days as a true superstar are no more, he’s got more than enough R&B firepower left to carry an album.

If Slim was going to regain a spot on the charts he had to connect with kids too young to remember 112, so while the strictest old-school fans may be disappointed by the occasional track on Love’s Crazy, I can’t hate on the man. It’s his willingness to connect with the younger crowd that’s made his breakthrough single So Fly a hit. So Fly doesn’t get complicated, it just takes a booming bass line, contrasts it with Slim’s impossibly smooth vocals and adds a predictable Yung Joc verse (who’s apparently so “G” he emails with “Gmail”). It’s not a classic, despite what Joc says, but it’s definitely a certified hit. Unfortunately not every inter-generational jam on Love’s Crazy works so well. When the first thing you hear on a track is an auto-tuned Yung Berg singing, it’s not a good sign – I actually threw up in my mouth a little bit – and Heels On doesn’t get much better from there. Luckily moments like these are few and far between on the album. Slim’s goal was to introduce his sparkling falsetto to a new generation: mission accomplished.

Impressively, Love’s Crazy has more than a couple tracks that should get some serious airplay without the help of an artist under 25. The title track Love’s Crazy has a pop vibe, bouncing over up-tempo percussion, plus an unexpected verse from Big Boi. Call me crazy, but am I the only one who thinks the chorus for Love’s Crazy sounds like the chorus for Anywhere? My musical hallucinations aside, Love’s Crazy is so crazy is just might work. On a similar tip is Good Lovin’, a Ryan Leslie produced track that’s the best radio-ready song on the album, showcasing Slim’s classically smooth style over production so addictive Fab’s guest appearance feels completely unnecessary. The biggest knock on Slim is that his falsetto voice can be too much without other voices to balance him out, and that’s fair enough, but Good Lovin proves he can carry a track on his solo shoulders just fine.

Who am I kidding? I wasn’t excited about Love’s Crazy for the dance tracks, I wanted to hear some slow jams, and Slim didn’t let me down. Let’s start with U Got Me (Addicted), a burner of a track that has Slim sounding like a Confessions-era Usher, and that’s one hell of a compliment. Even steamier is Bedtime Stories, a slowly melodic track that should only be listened to with the lights off. What’s better, even at his most nostalgic Slim doesn’t rely too heavily on the past, instead injecting Stories with adventurous horn lines and some soul flavor. It’s not Anywhere, but it’s as close as we’ve gotten in a long time. Which brings me to my closing point. I know we all wish 112 was still pumping out hits, but Slim’s still here, and on Love’s Crazy he’s still doing the damn thing. Enjoy him while he lasts. Now if you’ll excuse me, I’m going to go find some peaches for my cream.

Review by Nathan S.

Slim of 112 on Inspiration for his New Album Love’s Crazy

Sunday, November 23rd, 2008

Listen to Project Pat’s New Single “Keep It Hood”

Sunday, November 23rd, 2008

Yeah that’s right, Project Pat is back with some new ish and first up is “Keep It Hood” featuring OJ DA Juiceman.



Real Recognize Real Coming Soon!

Vote for Slim of 112 on 106&Park

Sunday, November 23rd, 2008

VOTE FOR “Good Lovin” FEAT RYAN LESLIE & FABOLOUS ON 106&PARK!!!!!!!!


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Be Alina’s Friend On Myspace

Friday, November 21st, 2008

So you like Alina Puscau, well prove it… make her a friend on MySpace. Add check out her hot music and video’s.

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http://www.myspace.com/alinapuscau

Scarface – Emeritus Track Snippets

Friday, November 21st, 2008

Listen to track snippets from Scarface’s new album Emeritus. It hits stores December 2nd.


Visit Mike Jones Page On Connect

Friday, November 21st, 2008

If your a big fan or Mr. Jones, you can now add him as a friend on 106&Park Connect.

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http://106andpark.com/profile/mikejonesmusic

PRE ORDER SCARFACE ALBUM “EMERITUS” ON iTUNES!!!!!!!!!!!

Friday, November 21st, 2008

CLICK ON ALBUM COVER TO PRE ORDER SCARFACE ALBUM “EMERITUS” ON iTUNES!!!!!!!!!!!

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So Fly And So Clean… Visit Goldmic.com to See Slim of 112

Wednesday, November 19th, 2008

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Visit Goldmic.com to see Slim of 112’s skinned down page.

Love’s Crazy In Stores Now!!!

Cam’ron Throwback – Glory

Tuesday, November 18th, 2008

Here’s some classic Cam’ron to get you pumped today.



Glory feat. Noreaga

Okayplayer Reviews Absolute Greatness

Tuesday, November 18th, 2008

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Check out Okayplayer’s review of Absolute Greatness.

Album In Stores Now!!!

Lonnie Mack Interview With Jigg Spot

Tuesday, November 18th, 2008



Make a Lonnie Mack a friend: www.imeem.com/lonniemack

Love’s Crazy In Store’s Today

Tuesday, November 18th, 2008

Slim of 112’s debut album is in stores today!!!

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Guest on the album include Faith Evans, Ryan Leslie, Big Boi, Yung Joc and many more!!!

It’s Alina’s Birthday Today!!!!

Monday, November 17th, 2008

Hi guys,

Just in case you didn’t know, today is Alina’s BIRTHDAY!!!!

Today is her and her fans that share the same birthday, special day. If you want to send you happy b-day wishes to the lovely Alina, let your thoughts flow she’ll definitely be touched.

Go Scorpios!!!

Slim of 112 Album Release Party

Friday, November 14th, 2008

Slim of 112 is having an album release party for his new album “Love’s Crazy” this Sunday in NYC.

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Date: Sunday, November 16th

Location: RoomService

Address: 35 East 21st St. (Btw Park & Broadway)

*Ladies Free Until 1am With RSVP

Admission Includes Free Massages By Healing Hand Spa

Summer 2008 Mixtape Throwback – Pork’n Beans

Friday, November 14th, 2008

Some of you might have heard this track before from Fabo over the summer, but fot those of you who haven’t, welcome to “Pork’n Beans.”



Fabo – Pork’n Beans

Official C-Murder Throwback

Friday, November 14th, 2008

Do you remember this hot track from back in the day?



A Second Chance feat. Master P and Silkk The Shocker

Scarface – High Powered

Tuesday, November 11th, 2008



Emeritus In Stores December 2nd!!!

Mike Jones Is On 106&Park Connect

Tuesday, November 11th, 2008

Wanna find more ways to stay up with Mike Jones while getting down with urban chatters… hit him up on his new 106&Park Connect page.

http://106andpark.com/profile/mikejonesmusic

Don’t forget that “Voice of The Streets” drops November 17th!!!

Pre-order Love’s Crazy From iTunes

Friday, November 7th, 2008

It’s finally here… your opportunity to pre-order purchase Slim of 112’s hot new album “Love’s Crazy’ from iTunes.

You can click on the image to enter iTunes.

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In Stores November 18th!!!

Alina Puscau’s Thoughts On Barack Obama

Friday, November 7th, 2008

How did it feel for you seeing Barack Obama elected president?

Alina: I was filled with emotion… he is so amazing and it doesn’t matter if
he is black or white, what matters to me is to change the country and
economy. He is young and fresh!!

America is proving that it can change by selecting Mr. Obama as its President!

Paul Wall’s Thought’s On Barack Obama

Friday, November 7th, 2008

1-Did you vote?

I voted for the 1st time ever in my life. I’m getting my voter stub with
the pin # on it that I used to vote framed with the front page of the
newspaper to commemorate this occasion, along with the bottle of Cristal
I popped when we found out Obama won

2-How do you feel about the final outcome of the elections?

I’m excited about it. I really feel like Obama can make a change for our
country in the positive direction. I felt like my album just went
platinum, or like how I felt when the Astros went to the World Series
back in ‘05. Even though the state of Texas went overall went for
Mccain, Harris County, where I live in Houston, went for Obama. That was
the 1st time in 40 years that Harris County went Democratic. And when it
did do it 40 years ago it was for LBJ, and he was from Texas so
naturally Texas went for Texans. I’m really proud to have voted. After
what happened in 2000 when Already Gore won the popular vote, but Bush
won the electoral vote, and also with the voter fraud that went on with
the ballots not being punched in all the way, I have been feeling like
our votes really don’t count. I felt like no matter who we vote for, the
governmental conspirators were going to make whoever they want the
President. So I had already made up my mind that if Obama didn’t win it
would HAVE to be another conspiracy and therefore I would never vote
again. But now that he’s won I feel a new found love and respect for our
judicial process and new rejuvenated passion for patriotism of our
county. Maybe Obama will let me make him a grill (Just joking)

Shawty Lo’s Thoughts On Barack Obama

Friday, November 7th, 2008

1-Did you vote?
Unfortunately I thought I couldn’t vote because I’m on active probation but when I found out that I could, it was too late for me to register but I will say that I am proud of those that did and I look forward to exercising my right to vote in the next election.

2-How do you feel about the final outcome of the elections?
What can you say?  This is probably one of the most important times in American history.  I’m glad that I’ve lived long enough to see a man that looks like me as president and my kids are able to really have hope and know that they can do and be anything if they put in the work like Barack Obama has done.

3-Was this election a historic one for you?  If so, why?
This election was historic because a black man was named president of the United States and he was also the best qualified candidate to do the job and people realized that.  I feel the same way about Barack Obama that my grandmama felt about Dr. King.  I understand better how big this moment really is.

4-Was this the first time you voted?

5-If there was a hip hop agenda, what would you add to it?
I don’t know if I would add anything but I will say that it should be mandatory for everybody to have my new mixtape, “I’m Da Man 2K9″.

Rappers Respond To Obama’s Election

Friday, November 7th, 2008

Popular Hip-Hop site, HipHopDx, gathered perspectives from some of Hip-Hop’s heavyweights on how they felt about Barack Obama’s election on November 4th.

Here’s a little bit of what Bun B said:

No, not at all,” replied Bun B when asked if rappers should refrain from being critical in song of Obama and his administration. “One thing about being an American is that we have the freedom of speech. One thing about being a citizen is that you have the right to criticize your president. That’s the whole point of a democracy is that it’s run by the people, and the people decide and choose what the policy is and who the people are that implement that policy. And with a person like Barack Obama, we have to hold him to a higher standard than we would normally, because of who he is and what he represents to so many people. This is an opportunity that has never been given before to a person of color. And because of that opportunity, and the many opportunities that are possibly to follow, he has to do very well and do right by us…”

To read more of this really cool article, visit HipHopDX.

Mike Jones Interview With SixShot.com

Friday, November 7th, 2008

His debut album may have been entitled, Who is Mike Jones? but rest assured that Mike is suffering no identity crisis these days.  After losing weight, beefing with local rappers, and switching up his musical style Houston’s mayor of hip-hop returns to the scene more confident, focused, and ready than ever with his latest release, Voice of the Streets.

Sixshot.com discovered who Mike Jones really is and he is versatile as he talks writing R&B music, he is tired of being perceived as an iced out one-hit-wonder, he is still in pain from not ever knowing his father, he is passionate about giving back to the community, and he is much more.  Read on to discover the rest for yourself.

Sixshot.com: With this album what are you hoping to represent and give voice to from the streets?

Mike Jones: I just really want to touch my fans.  They haven’t heard me in a few years so I want to let them hear the voice of the streets and what I got cooking.  Mike Jones is still the same Mike Jones.  I still do the whole Mike Jones and give out the number and still spit some game.  I’m a plain normal average guy.  I’m real with that I do.

Sixshot.com: Voice of the streets means that you want to represent people who identify with you. So would you say that you represent the normal average people since that’s what you describe yourself as?

Mike Jones: I mean plain normal people in every demographic.  So I can’t really just hold myself to one demographic.  I can do something for the streets, something for the ladies, and I can switch it up for London/UK.

Sixshot.com:  Speaking of the ladies the song “Cuddy Buddy,” is a romantic track that originally featured Lil’ Wayne, Twista, and T-Pain.  Now there’s only Twista and Trey Songz.  What happened to the original version?

Mike Jones: Well I guess the label started to trip at the last minute so you got to ask them what happened.  A lot of people never let me get those records out and with “Cuddy Buddy,” I’m able to use my voice how I want it and to put out what I want to put out.

Sixshot.com:  You’ve written for Lil’ Mo and LeToya Luckett.  So do you find that to write for R&B you need to tap into your more emotional and sensitive side?

Mike Jones: You ain’t got to be sensitive you just got to be open-minded.  It ain’t like oh I’m gonna write an R&B song so let me turn down the lights and put candles up in here.  It’s just letting your mind go through different doors.  Some people just rap about the streets all day long but I don’t.  I rap about that sometimes but I also open another door to rap about R&B.

Sixshot.com:  Any other singers you’re writing for now?

Mike Jones: I wrote for Paula DeAnda “Supa Chick,” and Baby Bash.  People are just now starting to recognize that I can songwrite so I’m gonna come name for name by next year.

Sixshot.com:  Was “Cuddy Buddy,” influenced by the R&B material you were writing for those other artists?

Mike Jones: That one was just Mike Jones wanting to do some feel-good music.  I’m tired of everybody saying that all Mike Jones rap about is swagger and all Mike Jones can do is say his name.  I want to let people know I can really make real songs.

Sixshot.com:  You said a lot of people think of you as just the ice and bling man but do you take any responsibility for that misperception since you did promote that image when you first came on the scene?

Mike Jones: In the beginning I wanted the people to know who I was from different angles.  I wasn’t trying to come one way and stay that one way.  When I came out, I was representing how we look in Houston and how we act and how we talk.  Mike Jones was the face of Houston. I represented what we did.

When you seen everybody swerving the cars that’s how we done it, when you saw the diamonds in my grill that’s how it was, the crazy jewelry, the 20 carat diamond ring, and the big watches, and the big ice age pieces.  That’s how we rock our ice in Houston but people saw a stereotype of me.So I needed to switch it up.  I don’t know why people think I can’t switch it up.  “Cuddy Buddy,” is a tip of the iceberg to let people know Mike Jones can do more than that.  I got a lot of crazy records on this new album.

Sixshot.com:  So are you toning down the bling?

Mike Jones: I don’t want people to just watch TV to see Mike Jones rock the ice.  I want them to respect me as an artist and as a person.  We sold 2 million records the first time and that was the chubby Mike Jones.  Now I lost a lot of weight and I’m coming fresh and open-minded.  I’m coming with a lot to say so that’s why I call it the voice.

Sixshot.com:  I read in an interview now that you can make the songs you really want to make.

Mike Jones: You heard “Cuddy Buddy”?

Sixshot.com:  Yup.

Mike Jones: What you think about it?

Sixhsot.com:  Honestly it’s not my cup of tea.

Mike Jones: What do you like?

Sixshot.com:  I like “Still Tippin’” and “Back Then.”

Mike Jones: Oh, you like more of the street music and I got that on the album.  It’s just that I wanted to come with something for the ladies and something for a different lane.  So some people like it and some don’t.  The funny thing about it is that the 10 people that heard “Back Then,” hated it in the beginning until it got on “106 & Park.”  So I’m used to people saying what they say and I let my numbers speak for it.

Sixshot.com:  What are the songs you really want to make that you couldn’t make before?

Mike Jones: “Cuddy Buddy,” was one of them because it’s a song that I really personally chose to make as well as Lil’ Wayne and everybody else.  They heard it and was like, “Damn okay that’s my cup of tea right there.”  So you got to do something for yourself sometimes.  Sometimes people make music so much they don’t even make it for themselves no more.  They too busy trying to please everybody else.

The media takes it and it’s in and then it’s out.  There’s no value to it like it is overseas.  You come out with a song in January here and by March it’s gone.  But over there they still playing music from last year.  They appreciate it and it’s not appreciated over here no more.

Sixshot.com:  You recently lost a lot of weight.  Why did you lose the weight?

Mike Jones: So I can be healthy and I wanted to come with a new look and a new image.  I wanted to revamp.

Sixshot.com:  What was your heaviest weight?

Mike Jones: Back then when I did the BET Awards I was 260 lbs. and now I’m 190 lbs, 185 lbs.

Sixshot.com:  That’s a lot of weight loss.  So how did you do it?

Mike Jones: Treadmill, running, drinking water, and watching what I eat.

Sixshot.com:  When people lose weight it affects other areas of their life.  Did that happen to you?

Mike Jones: Yeah it made me more focused.  I just started getting motivated and working out.  I started putting my mind on my music.  It made me more hungry to get back in the game and let people know that Mike Jones ain’t a one-hit wonder.  Mike Jones can still do it.

Sixshot.com:  You said that you also lost the weight for your health.  Was your health at risk?

Mike Jones: No I was good.  It’s not like the doctor told me you’re super fat.  It was just cause when you perform and you big it’s a lot different than when you perform healthy.  I wanted to do something different and switch it up.

Sixshot.com:  In an interview you mentioned that the rap game is very political compared to the underground.  What do you mean?

Mike Jones: On the underground I can do 100 songs and they all get cleared.  If you get to a major maybe only four will get cleared.  It’s a whole different ball game.  On a major if you go to one radio station but not the other your record is in jeopardy.

Sixshot.com:  Speaking of the politics of the music industry you had beef with Chamillionaire in the past and recently Trae the Truth.  Why do you think you’re a target?

Mike Jones: It’s because I’m successful.  Tell me who you know that sold more records than me?  You got one of those artists who ain’t even sell 50,000 copies.  You can’t compare him to someone that sold 2 million.  That don’t make sense to me.  Chamillionaire and I had our differences at a time but I’m doing my thing and he’s doing his thing.  He went platinum and I take my hat off to Chamillionaire.  He got a Grammy and he paid his dues.  But there’s a lot of people who ain’t pay dues and are trying to hate.

Sixshot.com:  Your first album was titled, Who is Mike Jones?  Have you begun to answer that for yourself in terms of who you are as a person?

Mike Jones: I knew who I was from the gate.  My grandmother gave me a whole lot of game and guidance.  She got me prepared for the world.  I just had to persuade ya’ll and get ya’ll to know who Mike Jones is.  So thank God that I took time to sit down and play dominoes with my grandma.  It’s important to listen. I listened to anybody who’s been living longer than you because they can tell you your mistakes before you make them.

Sixshot.com:  What’s the most valuable advice your grandmother left you with?

Mike Jones: She always told me that my name would be big one day.  I didn’t believe what she was saying until I started taking off.  My grandma also told me to do something that ain’t nobody else done and that was to give out my number.  I thought she was crazy but I tried it and it took off.  Even though she passed away, she left a mark with me and I left a mark with the world, and now everybody is giving out their phone numbers.

Sixshot.com:  Was your mom and dad around?

Mike Jones: I never seen my dad in my life but my mom was there.  My mom worked 2 jobs and was always on the go trying to provide for us.  My grandma was the ears.  She was always at the table playing dominoes at 10 in the morning or night in the same spot.  Really it was God that had me to not be a knucklehead and to really listen to my grandma, and look what it did for me.

Sixshot.com:  You never knew your dad right?

Mike Jones: I never seen him.  He could walk past me and I wouldn’t know who he is.

Sixshot.com:  How did that affect you?

Mike Jones: It didn’t affect me none.  I still made money and got the world knowing who I am.  The crazy thing is once I blew up he tried to find me.

Sixshot.com:  Was he successful?

Mike Jones: Hell no!  I made sure of that.

Sixshot.com:  So you’re not even open to reconciling or hearing him out?

Mike Jones: For what?  My question is why would someone want me to see someone that never was there for me during my childhood years and left my mom by herself?  So that motivated me to go out here and make something happen positive for me and my family. When I sold a record the whole world knew who Mike Jones was and I’m pretty sure he did too cause whatever he was doing they were screaming Mike Jones.  He tried to reach out to me and I was like, “Hell no!  Don’t brigg that to me no more.”  He knows he gets no love.  Back then they didn’t want me and now they all on me.

Sixshot.com:  What was your upbringing like?  Were you in the streets or not involved in all that?

Mike Jones: I wasn’t involved in all that.  I guess that’s why people try to test you.  I don’t brag about no criminal record.  I was raised around my grandmother and so I learned to respect women.  I learned how to treat women right.  I also had a rough life too in a certain aspect but it wasn’t as bad as a lot of people’s lives or as some people might think.

Sixshot.com:  In what aspects was it rough?

Mike Jones: I mean just going to school on Father’s Day and not having your father there—little stuff like that.  Also when you need to talk to your father about stuff you had to go to your mama.  That’s why I give my mom a lot of credit.  That’s why when I made all my money the first thing I did was buy my mama a big house and then I started acting a fool with the whips.  [Laughs]  My mama was always there holding it down.  My grandma was my heart and she passed away before I even could get some money to spoil her like that.  She wasn’t tripping about it like that but I wanted to look out for her like that.

Sixshot.com:  You run Ice Age for Kids and the American Dream Foundation.  What is your mission with these charities?

Mike Jones: To expand but before you can expand you got to start home. I got Ice Age for Kids because I wanted to let the kids know that there is hope.  I know a lot of people used to tell me that but I never saw it.  People can say anything and people may look at Mike Jones and say he ain’t doing nothing for the community, but I wanted to show it. I got the mayor of the city coming out to my events.  I got 2,000 kids playing basketball and the winner gets $2,000.  They can give that money to their mom so they ain’t go to rob, break windows, or steal.  So that makes me feel good inside.

Sixshot.com:  Wow, that’s amazing work you do.  This stuff isn’t even in the press.

Mike Jones: They aint gonna show you the good stuff.  They only show when Mike Jones got beat up by this guy or whatever.  People thrive off the negative and don’t want to look at the positive.  I took $50,000 from club Ice Age all and gave it to 97.9 for Hurricane Katrina.  I then turned around and gave them another $50,000 for the school supplies but they won’t tell you that.  I’m not tripping because I touch hearts.  I ain’t worried about what they say on TV cause I sleep at night.  I feel good that some one somewhere is thanking Mike Jones for coming through.

I could have sat in my house, watched TV, and jumped in my car and act like I ain’t hear nothing about it.  I would be wrong.  I got blessed to make the money that I make and I want to turn around and look out for those that are in need.  So I went to the station and told them I want to do this and I got someone to show me the way to take it off.  It’s been 2 years and everytime we throw a back to school program it’s packed with kids like crazy.  So that feeling is priceless.  You can’t put a camera or a price tag on that.

Sixshot.com:  What’s the situation like now down in Houston with the Katrina evacuees?

Mike Jones: Yeah it’s still a need for help everywhere everyday.  Just because the camera left doesn’t mean everybody’s back to normal and good.  People still wilding cause they can’t make it.  It’s crazy not just in Houston but in every city especially with what’s going on with the recession.

Sixshot.com:  What more are you looking to accomplish in your career?

Mike Jones: I’m trying to keep it leveled and to make good music for everybody; for the streets and for the ladies.  I’m just trying to expand on a bigger level than I already am.

Sixshot.com:  Thank you for your time.

Mike Jones: I appreciate it and thanks for the honesty and for the time baby.

Scarface Behind The Scenes of “High Powered”

Wednesday, November 5th, 2008



Emeritus In Stores December 2nd!!!

Q&A: Scarface + FADER Magazine

Wednesday, November 5th, 2008

Q+A: Scarface on Obama Being Elected the Next President of the United States

This morning, after we stumbled into the office with champagne hangovers, we got on the phone with Houston rap legend Scarface to talk to him about the completion of his final solo album Emeritus, and last night’s historic victory for Obama. He did not disappoint.

Interview by Sam Hockley-Smith

How are you feeling about last night?
I’m trying to digest this shit man. You know, I’m overwhelmed.

It’s crazy. I’m glad I’m able to talk to you about it this morning.
I’m glad to be able to express myself about it.

I saw a video a little while back where you went off on McCain. Is this a validation for you?
I think that the way I feel about McCain is probably how McCain feels about a lot of black people. I feel like McCain just don’t have no respect for black people, and I’ll say it again: he never looked at the man during the first debate and then even before that he voted against the Martin Luther King holiday. So that tells me right there, what kind of dude would do that? For Barack to—you know how when you’re growing up, you tell your mom and dad that you want to be the president of the United States—that’s probably really…are you white?

Yeah, I am.
That’s probably really easy for you to say that, and your parents can see the possibility of it happening. But for me to say that when I was a little boy to my parents. It was like, Shiiiit, uhhh okay. There was no way possible.

What happened with this guy… It’s one thing that he was the better candidate and America made the best choice between candidates. He just so happened to be black. That’s what it is. But for him to be that is big shit to black people, not because all those fucking beatings and hangings and auctions and the Willy Lynch theories and Dred Scott decisions. That’s like…wow. You can’t take this but the way I give it to you, but I know how white people have felt since George Washington. With white presidents they feel fucking protected. Andrew Johnson was like—and you can read this, I’m not going to say nothing you can’t go back and look at—but Andrew Johnson’s dad was like, This is a white man’s country governed by white man laws. I understand what people were saying, I feel that. But to have a president in the office that’s of color makes us feel a little bit more at ease. Knowing we have someone—and I’m not just talking about black people now—but knowing that WE have someone that’s looking out for our best interest, and that’s the best interest of what’s in America.

Absolutely. And I think it’s crazy too because the young black man in America has always been the most marginalized.
I feel like that, too. As you get older and you move into your 50s and 60s and 70s and 80s, you’ll see the United States presidential candidates start to become a lot younger and a lot more multicultural. You may have an Indian run in a few years, or somebody that’s born in America from Iraq. I’m so glad we got somebody in that fucking office—red, black, green or brown—that’s for the American people. What the fuck are you doing in Iraq? What the fuck is going on over there to where you have to stick your nose in it? What happened!? You know what I mean? This shit was rumored that Bin Laden had set this terrorist plot up to down the buildings. Well, if he’s in Afghanistan and Pakistan, what the fuck are you doing fucking with Saddam Hussein? What does he have to do with anything? Let me tell you, since we’re on this shit, the fucking oil that that country is sitting on, the Bushes wanted that shit, the fucking Cheneys, the Halliburton dude, he wants that shit. That motherfucker bellied up a fucking country. He bankrupted a country. But if you look at the line of business they are in, it fucking boomed. So W is not as stupid as you thought he was, he looked out for his best interest, which was playing that Texas tea game, that black gold game. Feel me?

I think that one of the mistakes this country made was that we assumed he was stupid when he was actually a crafty dude.
He blamed it on WMDs. They didn’t find that shit. It wasn’t over there, but we’re still there. That’s four to five years. Four years later and you still ain’t found them fucking weapons, but you got the dictator. A dictator was hung for what they said he done. We can’t police the world.

I appreciate the American people picking the best candidate. The most…centered. He’s not leaning left and he’s not leaning right, he’s right there in the middle. He’s not just for niggas or for white folk. He’s for everybody. “There ain’t no hard feelings, I just want to get in here and do my fucking job,” and I respect that about dude. You can’t say that this is about a black president or a black candidate because Jesse Jackson and Al Sharpton ran… it ain’t the black shit. But for him to be black was a great, it was icing on the cake. Anybody could have won this year. I think the young people really stepped out and rocked the vote. The generations are switching over and all of that old shit that went on, it’s not going to police us or govern us anymore. I’m glad my children got to see that shit, see how it’s really supposed to be done so they’ll know how to do it. Shit, that opens up the door for everything. The door was open on everything except being the president of the United States of America, and that shit is open!

Is this something you ever thought you’d see?
Never in my lifetime. I didn’t think I would see it in my children’s—I didn’t think my children’s children’s grandkids would see it in their lifetime. I talked to my grandmother last night and I talked to my mother and then I talked to my friends and then I talked to my children. My two youngest boys, they don’t understand why their mom was crying, why she was so fucking flabbergasted, blown away. My wife couldn’t talk. She was that choked up.

Not to switch gears too abruptly, I also wanted to talk to you about your upcoming album.
I’d like to do that.

When I first heard you were recording Emeritus, I was surprised. I had been under the impression that Made was going to be your final solo album.
There’s some shit on Made…I left some stones unturned. It was some shit that went on during my career. It was some shit that went on that I didn’t address properly that I wanted to make sure I addressed before I shifted gears. I’m not retiring from music, but Scarface is dead. I want to do something else but I do want motherfuckers to know—or at least different rappers or the fans that listen to me—that my fucking record is flawless.

So this is the definitive statement of Scarface the solo rapper?
Yeah, I’m doing something else. I’m going to exercise my ability to make music. I’m not only the best fucking rapper, I’m one of the best musicians, too. I’m one of the best producers, one of the best singers. You hear me? I’m not just one of the best rappers. I’m one of the greatest ever. Still relevant twenty-one years later. I can say I’m the best, I can say that I can’t be fucked with and mean that shit. I can say I’m the king and mean that shit. There’s certain shit you don’t do when you’re wearing that fucking crown. Whoever you are, you have to be that. You know? I was always who I was. I never changed, I never switched. I’m the fucking truth.

That’s about all I have, it’s been good to talk to you after everything that went down last night.
It’s fantastic…let me back up.

Okay, back up.
Barack is the realest nigga in the game. Out of two or three realest niggas in the game, I’m the realest nigga in the game. Realest nigga in the game. Write it like that: “g-g-a” not “g-g-e-r.” You know? Write it right. Spell it right. I appreciate you taking the time out to talk to me, and I’m getting ready to get my ass up and go hit me some golf balls.

Bun B Is On 106&Park Connect

Tuesday, November 4th, 2008

Are you guys on social site 106&Park Connect… well Bun B is and he wants you as a friend!

Photobucket

http://106andpark.com/profile/theonlybunb

H-Town AllStars – Obama 08′

Tuesday, November 4th, 2008

Bun B has been one of the biggest Hip-Hop supporters of Barack Obama throughout this campaign.

Listen to this instant classic that features Paul Wall, Chamillionaire, Cory Mo & Trae

H Town Allstars – Obama 08 – Bun B, Paul Wall, Chamillionaire, Cory Mo & Trae

Get Out And Vote!!!

Alina Puscau Interviews With Altsounds.com

Tuesday, November 4th, 2008

Altsounds: You became an overnight sensation as a model, are you hoping to accomplish the same success as a singer?
Alina Puscau: If I’m lucky and people love me. In many ways it depends on me and trust me, I want that but it also depends on if people like my music.

Altsounds: What did you aspire to be as a child?

Alina Puscau: I wanted to become a singer and an actress. When I was a child, I would put on my mom’s clothes and sing in the mirror. It’s like when you grow up, you change your mind all the time. The only mind I had was to be a singer and an actress.

Altsounds: Which artist has influenced you the most?
Alina Puscau: I grew up on Madonna and Michael Jackson and consider them the biggest influences. I admire Mariah Carey because she’s a living legend and she’s…

To read more, go to AltSounds.com.

Willie The Kid Interview With DJBooth.com

Monday, November 3rd, 2008

DJ Booth: What’s goin’ on everybody? It’s your boy “Z,” doin’ it real big, and joining me inside the DJ Booth is a Crown Prince. Originally from Grand Rapids, Michigan, but currently making a name for himself out of Atlanta, Georgia, please welcome Aphilliates Music Group artist, Willie The Kid – how you doin’?

Willie The Kid: What’s goin’ on? Good to be in the DJ Booth. It’s the source of the sound, man. That’s where it comes from: the booth. I know what it is.

DJ Booth: I appreciate you takin’ the time to join me. Willie, your transition from Michigan to Atlanta must have been great during the winter, ‘cause I’m in Chicago, and I know I’d love to spend my winters in a warm climate.

Willie The Kid: Yeah, man, it’s definitely real – that’s one of the many things that is good about livin’ in Atlanta. Now when I go back home, it could be the spring or whatever, I got on a jacket and I’m freezing cold. They say, “They spoiled you down in Atlanta, n*gga – the weather made you soft!” It’s a good problem to have, though.

DJ Booth: Obviously, Willie, weather’s a big difference, but let’s talk musically. What, musically, is the biggest difference between staying in Michigan to record and start your career, as opposed to what you did do, and that’s head down to Atlanta?

Willie The Kid: Atlanta has a new energy for me, comin’ from where I come from. It’s cold where I’m from, in more than just the weather. It’s a cold, stiff environment, real serious. Atlanta allowed me to tap into that bounce, man, that feel-good. We got our moments at the top, too, at the same time, it’s a party goin’ on in Atlanta. The whole industry is focused on Atlanta, lookin’ at what we’re doin’. It’s a good time, and I caught it at the perfect time. I moved down here right before the wave came the way it is now; everyone’s down here recording and making moves. [It definitely] added more diversity to my sound and broadened my horizons as far as directions I can go in my music. It’s a party goin’ on, and I’m glad to be a part of it.

DJ Booth: Isn’t that the truth. Willie, as a Midwest native whose career’s being guided by an Atlanta record company and Atlanta DJs, do you consider your music regionally diverse, or regionally exclusive?

Willie The Kid: I believe in quality music, man, and I don’t think that regions are sufficient to put barriers on quality music. I think regions are something that we started within hip-hop, to start givin’ credit to different parts of the country, but music goes across the board, no matter where you’re from, no matter where you’re at, no matter where you’re goin’. I don’t want to get trapped in Atlanta, because I’m from the Midwest, but my family’s from New York originally. I’ve been diverse, and I’ve been exposed to different types of sound, different types of music. [I have] family in Tennessee, as a matter of fact – when I was young I used to be in Tennessee all the time. That’s what got me down to Atlanta in the first place: my family livin’ down South, and me goin down and visitin’, I wanted to go to the South. But when you’re talkin’ about quality music, you can never mention things like region. That boxes us in; quality music goes global. So it’s definitely exclusive, what we’re doin’ here.

DJ Booth: Well, I’ll tell you what: break out of that box – I agree completely. For anyone who is not from Michigan or Atlanta, or they’re unfamiliar with your name, your sound, your style, what does Willie The Kid bring to the proverbial hip-hop table?

Willie The Kid: I bring artistry to the music. I bring a clear picture of what’s goin’ on in our community, what’s goin’ on in our society, but at the same time, I keep it all 360 – the good sh*t, the bad sh*t, the rewards, the consequences, everything. I bring the feel-good party element. But before all of that, I want to bring the art. That’s what I think we’re startin’ to get away from more and more with the music, but that is the heart of it all: the artistry, the lyrics, the content. I realize the impact of music; we’re startin’ to get to the point where we’re losin’ connection with how important this music is, and how it can change people’s lives, provide opportunities for people.

DJ Booth: Willie, as a young, motivated artist, it’s clear to me through this interview there’s a lot that you want to talk about that’s not being discussed in hip-hop music heard nationally. But you know as well as I: record labels don’t like to release music that does not play to a certain ear, that they feel is the majority of the listening public. So what are you going to do, to make sure that the heart and soul that you put into your music is not lost, when going about the creative process?

Willie The Kid: That’s a real good question. You gotta be able to relay a message, and put your heart into your music, but it has to sound [appealing], you know what I’m saying? It’s like food, for instance – you give people something good for them, but it’s gotta taste good. Like, tofu, people might not think it tastes [good], but you gotta put a little sauce on it and make it taste better. If I got some broccoli, I might put a little cheese on it, to make it more appealing from the start. I think the labels, they don’t have a problem puttin’ out music with a certain message; their problem is making sure it has that appealing sound, and that appealing feel. I think that’s what we’re doin’ here at Embassy Entertainment/Aphilliates Music Group: we givin’ you that quality street music, and it sounds good and it’s good for you, both at the same time.

DJ Booth: Okay, so you’re sayin’, Willie, you’re gonna spice it up for me.

Willie The Kid: Spice it up, man! But it’s still going to be good for you though; I’m not gonna give you no garbage, it’s not gonna be no junk food – this is real, healthy food that’s good for your system, good for your mind.

DJ Booth: Okay, well I’ll take some of that broccoli; you can keep the tofu.

Willie The Kid: All right! [laughter] Straight up.

DJ Booth: Willie, your introduction to a more mainstream audience came late last year, on DJ Drama’s single, 5000 Ones, in which you were alongside Nelly, T.I., Joc, Jeezy, [and] Twista. Describe the impact of your placement, not only on that song, but also on DJ Drama’s album, Gangsta Grillz.

Willie The Kid: It was actually an opportunity that was bigger than me. It was an opportunity for us to present to the world Affiliates Music Group/Embassy Entertainment as a company, and a legitimate label to put out artists. I just represented the beginning of the onslaught that’s about to happen. My placement on Drama’s album was just the presence of my whole company, my whole movement, what I represent, me bein’ their representin’ my company as a legitimate powerhouse, and future leaders of this new musical

DJ Booth: If someone’s listening right now, up to this point in the interview, they’re thinkin’, “Man, Willie is just the luckiest man in the world. He’s in a good position, he’s done a lot of great things to get to this point right now.” But it’s not that simple. Your bio indicates that you have dealt with a lot in your life – tragedy, you’ve triumphed over a lot of adversity – detail what you have gone through in order to get to where you are today, which is singed to a major label, and about to officially kick off the start to a successful career.

Willie The Kid: The biggest adversity for anyone – and people should realize this, whether you’re a musician, you’re an athlete, whatever you do – is gettin’ over yourself. Whether you’re not focused enough, disciplined enough, just lazy, don’t have the right idea about the way to go about it, you have to get yourself together first. That’s the biggest, biggest, biggest problem. I didn’t just wake up and Drama was at the foot of my bed like, “Come on, let’s go put an album out!” It didn’t happen like that. I grinded in Michigan for a long time, under the umbrella of limited exposure. I’m from Grand Rapids; there’s no record labels’ office buildings there at all. No A&R’s comin’ there to look for talent. I remember when I was real, real young, the major acts didn’t even come – you [had] to go to Detroit to see LL Cool J or somebody like that. For me to grind my way out of that situation, on the business side, and get to where I am today, it was a road uncharted, damn near. Where I’m from, it’s a real serious neighborhood, it’s a real serious place. A lot of people don’t make it beyond that. A friend of mine just moved down to Missouri recently, twenty-six years old, and that was his first time ever leavin’ the city. I couldn’t even imagine that, but that’s a reality where I’m from. It’s a lot of things goin’ on [like] poverty, violence, drugs and crime, and I don’t use those things as an excuse, ‘cause there are outlets to get over them, but it’s not every day that somebody [from] where I’m from make it to where I’m at today.

DJ Booth: Willie, while growing up, knowing that you wanted to do this music thing, at any point did you think, “There’s no way I’m gonna be able to do it; I won’t have the outlet, I won’t have the possibility to make it?”

Willie The Kid: Honestly, no. I never felt like that all of my life – never. Even when it was cloudy and wasn’t nothin’ promised to me, things were lookin’ down. I had those kinda days here in Atlanta as well, sittin’ right on the couch next to DJ Drama, feelin’ like it may not be a better tomorrow for us. We recently had a situation with the feds last year. Anybody that’s ever experienced anything like that’ll have an idea what I’m talkin’ about – it always seems like it’s the end of the game for you. That’s an actual feeling. But even through all of that, I’ve never felt like we wouldn’t be able to continue on, we wouldn’t be able to prosper, it was the end of our rope – I’ve never felt like that.

DJ Booth: Well there’s a thin line between confidence and cockiness, my friend, and it seems like you walk that line on the confidence side. We’re going to go into a special segment called “By Request.” We gave our readers the opportunity to submit questions. The first one comes from Brian from Connecticut: on your newest DJBooth feature, The Real, members have compared you to Lupe Fiasco, how do you feel about that assessment?

Willie The Kid: It’s definitely not a bad thing at all. Lupe is my dude, he’s a good brotha, I appreciate what he do musically. He’s from Chicago, so that’s like two hours from where I’m from, it’s the same region. I can see the comparison. I think they’re hearing the cadence, the complexity. I’m sure they hear that. I take it as a compliment, actually. But at the same time, before Lupe hit the scene the way he did, when I was little, comin’ up, they said I sounded like Nas. And that just let me know, we all just [are] human beings, “Tastes like chicken,” you know what I’m sayin’? That’s how we associate our understanding of things, that’s how we grow to appreciate things.

DJ Booth: Yeah, and in five years another MC’s gonna come around, and he’s gonna be compared to Willie The Kid.

Willie The Kid: Right, right, they’ll say, “He sounds like Willie The Kid!”

DJ Booth: [laughter] Exactly. Next question comes from Jazzy, from Detroit Michigan, and she wants to know, what is the deal with the beef that you had, or still have, with Lil’ Wayne?

Willie The Kid: Oh, it’s not no beef. People [call it] beef; I wouldn’t call it beef at all. It was a situation that was goin’ on, with myself drawin’ some comments made by Lil’ Wayne. I said some things on my record in response to that. I wasn’t tryin’ to start [a campaign] against the dude or nothing like that, I was just sayin’ what I felt at that time, when I was makin’ my music. If it went no further than that, that’s cool. I said what I said and I meant what I said, and that’s where it starts and ends for me.

DJ Booth: Last question comes from Mercedes. Mercedes is from Jacksonville, Florida, and she wants [you to] name another artist in the industry who’s similar to you, who’s on the come-up, that you enjoy listening to.

Willie The Kid: I really, really, really like a lot of La The Darkman. I wouldn’t say he’s on the come-up in the sense that he’s a new artist, but he’s definitely been layin’ out a career and a legacy since like ‘96. He’s my older brother by the way. He put out an album, Heist of the Century, back in ‘98 – crazy, classic hip-hop album – and he’s been grindin’ all the way to the top ever since.

DJ Booth: Lot of family competition, I assume. Do you guys have some rap battles in the house?

Willie The Kid: Nah, nah, nah… [laughter] We still go back and forth like we did when I was young with other kids around the way, but never with each other, never like that.

DJ Booth: So maybe like a tag team battle, you and your brother versus two other MCs in the neighborhood? That sounds like fun. Well, of course, all this leads up, Willie, to your debut album, Crown Prince, which is set for release later this year. I need to know: how many albums before we officially anoint you as industry royalty?

Willie The Kid: I’m shootin’ for the very first one. ‘Cause I’m inspired by the greats. I’m inspired by the people who’ve done it the best, and the people who’ve paved the way for me to be able to do it today. Like when Nas dropped Illmatic, it changed the world. Outkast came out with Southernplayalistic, it changed the world. I’m really into that. I’m really into makin’ my first word my best word, thinkin’ about what I say before I say it. The album is ten steps up from all of that – I’m holdin’ all the best stuff for the LP.

DJ Booth: Well, the world and the music industry both need some change, and it sounds like if you’re behind that change the music industry and the world will both be in a good situation.

Willie The Kid: Honestly, I hope so.

DJ Booth: Give everyone a website, or a MySpace page, so they can find out more about you.

Willie The Kid: Yes sir; check me out, my MySpace, of course, is myspace.com/thewilliethekid, gangstagrillz.com. I’m actually workin’ on my second album right now, as we speak; my first one is already done.

DJ Booth: Willie, I thank you so much for takin’ the time to join me inside the DJ Booth and wish you nothing but the best of luck, my friend.

Willie The Kid: Absolutely. Thank you, man. I appreciate that, Z.

Willie The Kid Speaks on “Thang Back”

Monday, November 3rd, 2008